This mother of sons and grandmother of grandsons has concerns about what some are calling the feminization of Christian worship.
The Barna Research Group reports that American churches are two-thirds female and one-third male. There is strong evidence to support that music may be one explanation. Instead of asking, “What music do people want to hear?,” we should be asking, “What music is appropriate and pleasing to God?”
Men like my pastor, Rev. Paul Beisel; Rev. Todd Wilken (host of Issues, Etc.); author Douglas Bond (Fathers and Sons Stand Fast in the Way of Truth); and author David Murrow (Why Men Hate Going to Church) have articulated what I am discovering to be true. Contemporary worship leans toward the emotions and perceived needs of women and, perhaps, some “sensitive” men. But, what about men who tend to think and act like, well, like men? Do they have to put their masculinity aside in order to “meet Jesus”?
In contemporary worship, women may comfortably sway with the music, close eyes or be “moved” to tears, and show other visible signs of emotion. But, what does God tell us about men? He created male and female to be equal, but different. God did not create man and woman at the same time, in the same way, or for the same purpose. Non-Christian therapists might not phrase it the way I just did (using Genesis), but years ago, I read a helpful secular book entitled Men Are From Mars, Women Are From Venus in which the author repeatedly illustrated that men and women do not communicate, think, love, feel or respond in the same way. It makes sense, then, that contemporary worship and music might be one reason why our churches are filled with two-thirds women but only one-third men.
Church growth folks say we need to appeal to a contemporary public. This public flocks (like sheep) to loud, energized, and high-tech amusements where celebrities say things that make us “feel good.” Rather than being different, are Christian churches shapeshifting as if to say, “See! We’re as good as the world”? Is it a good idea to imitate “the nations” around us (2 Kings 17:15) in order to be evangelical? I’m aware that I ask this question a lot but, really, does Jesus wrap Himself around the ways of the world?
I have been told by other Christians that any kind of music — loud, rock, rap or polka — can become gospel. But, in his book Stand Fast, Douglas Bond reminds me of two things. In the Screwtape Letters, C.S. Lewis describes heaven as a region of music and silence. The demon Screwtape is frustrated by this reality: ‘Music and silence — how I detest them both!'” Screwtape, the diabolical demon, boasts: “We will make the whole universe a noise in the end.” Later, Bond writes, “Beware. If entertainment-evangelism advocates can convince you that music is amoral, merely a matter of taste, then the discussion ends — and so does discernment. Wise young men, however, will be suspicious of conclusions that sweep away moral judgment.” He also writes, “. . . [L]oud entertainment music . . . conveys its own message. Certainly it makes people clap and feel exhilarated, but it’s not conducive to careful thinking about the whole counsel of God.”
Some Christians say, “Traditional (liturgical) worship is too difficult,” but, what other important things in life are difficult?
Bond continues, “Though the Bible is clear that Christ is ‘a stone of stumbling and a rock of offense’ (1 Peter 2:8 NKJV, quoting Isaiah 8:14), we’re still afraid to offend the world. The Spirit of God removes the offense only through the objective truths of the Word of God — the very thing that postmodern Christians are watering down in their music. Little wonder, then, that the church looks and sounds and acts like the world — instead of the reverse.”
Until recently I, too, believed I needed a little more contemporary music albeit in a traditional worship environment. But, as a mother of sons and grandmother of grandsons, I’m being re-directed away from my “feelings” to understand what the Divine Service really is and why I need it. Why my family needs it.
So, here’s where I stand. The Creator of male and female gives us not what we want, but what He knows we need. We may want to “feel good” singing love songs to Jesus, but we need to be equipped for battle against powers and principalities. The Psalmist and other great male hymn writers knew this. In his hymn, “A Mighty Fortress,” Luther wrote,
And though this world, with devils filled, should threaten to undo us, We will not fear, for God hath willed His truth to triumph through us. The prince of darkness grim, we tremble not for him; his rage we can endure, for lo! his doom is sure; one little word shall fell him.”
My grandsons are spellbound by the battles between good and evil in C.S. Lewis’ land of Narnia. In this present culture war, my grandsons need the armor for battle — and the songs that inspire them to fight the good fight.
Linda,
When I was at Immanuel last Sunday, something stirred again in me about why many men do not sing in churches using the hymnal almost to exclusion of other praise and worship music. I grew up in the Southern Baptist culture-it was that way. I was confirmed in the Lutheran Church at 25 and loved the music traditions. Because I have a voice range that can reach three octaves, how the music is written and arranged does not hinder my worship.
Most men can sing baritone to second tenor melody lines with comfort. Church music hymns and melodies are arranged for the sopranos and altos, the top note generally reaching d-e-f on the staff. 80% of the Guys screach and hoot when they get to the high notes of hymns, so they drop it an ocatave and feel left out of the song. Very seldom do I hear guys in the congregation sing harmony. That is ususally left to the choir.
Pastor Beisel was quite critical of modern praise and worship practices Friday night. I’m not sure why, but I do know that at North Heights, most men are very engaged in worship and not just us sensitive guys. It has a lot to do with their being able to sing comfortably and praise their God and Savior with their hearts as well as their various voices.
Thanks for reminding me of this.
Duane
Thanks for the post Linda. I too have come to understand the value and blessing of the liturgy and traditional hymns. For me, these ancient church practices help me focus on Christ, the center of the service. I think we must continue to teach our young people the history of church and why we do what we do in worship. I also know that it was my (can I say “our” generation) that wanted to throw out all that was traditional – in worship and in life in the secular world – thank the Lord for his mercy. I still find my generation pushing for praise music, but am encouraged that in our church, it is the younger adults who want traditional worship, and male leadership in the church and congregation.
As for the difficulty of hymns for the male voice, all I can say is there is nothing like hearning a group of Lutheran men singing in worship! Powerful, reverent, and yes, moving!